Dear Just Married Author
Jun. 16th, 2025 01:46 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I use the same name everywhere so I am
beatrice_otter on AO3. Treats are awesome.
I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for over a decade and am usually very happy with my gifts.
The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.
I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.
General Likes and Dislikes Here are some other things to keep in mind:
Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.
I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.
Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.
I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.
Marriage Tropes and the Just Married Exchange
There are so many tropes in the tag set, and so many of them are hyper-specific, and I really hate what that does to matching and also to requesting tropes. For example, there's no way to say "yeah, I love me some time travel, anything with time travel will be awesome." Unless you want to completely throw open the gates and request any (not just "any time travel" but "any trope in the tag set"), in which case you can't DNW things you don't want. It's really limiting to both requestor and author! So if you're writing for me, I hereby declare the tropes as more suggestions than as Things You Absolutely Must Include. If you feel inspired by a trope tag I did not request, you're fine as long as I did not DNW it. So, for example, if you want to write Wimsey fic, and you want to write Peter and Harriet getting divorced, that's fine, because I have not DNWed it. But you couldn't write a fic where they're in Starfleet and Harriet is a Betazoid, because I have DNWed setting change AUs.
I love all these characters and desperately crave more Wimseyverse. If you want to do a casefic of some sort, that would be delightful; a casefic centering on Parker or Bunter as the main detective with Peter in a supporting role would be lovely. But I would also be absolutely thrilled with domestic fluff or relationship issues or just the characters sitting down to tea and chatting. (Especially if you can capture Peter's piffling style or the layering of literary references in his and Harriet's speech.)
Harriet/Peter: I love their canon arc, of him falling so deeply in love immediately but her being so deeply hurt by what she's going through--and then by the baggage of being grateful to him and all the baggage of being a professional woman in that era and having to work through that as she falls in love back before she can say yes to him. I would adore anything canon-compliant set anywhere along that trajectory, or things set after they're married--during the war, maybe. However, I would also love AUs! What if they met earlier in some different way? Maybe they were both at one of Marjorie's parties. Maybe he happened to visit Oxford while recovering from the War and met Harriet there. (She was born around 1900, so she would probably have been starting 1918-1919.)
Bunter/Peter/Harriet: There are so many interesting angles you could take this! However, please DON'T go for "Peter/Bunter are established, but Peter offers to dump Bunter for Harriet" or "Peter/Bunter are established, and nothing changes in Peter's courtship of Harriet." Peter and Bunter's relationship is so fraught in canon--they play-act at the normal master-servant relationships, but Bunter's care for Peter goes far beyond that, and Peter jokes about Bunter being his wife in a way that I read as a bit "don't look too closely because in some ways it's true, but we can only acknowledge it through mockery." If you add sex to that, you get something that is even closer to marriage than their canon relationship. Peter can drop his mistresses immediately because the relationship is not based on anything deeper than sex and entertaining companionship. Bunter is in a different category altogether. I would love to see how Peter falling in love with Harriet changes things, if he and Bunter were together already. Regardless of Peter having love-at-first-sight with Harriet, I don't think he'd propose in this case without first at least talking with Bunter, which means no jail proposal. Maybe Peter (or Bunter!) sounds out Eiluned and Sylvia to figure out if it's safe to tell Harriet everything? Maybe there's a lot of angst on Bunter's part about being replaced--or maybe this time Harriet doesn't want to marry him because she doesn't think it's fair that she gets the public acknowledgement as Peter's spouse when really, it should be Bunter? Or maybe it's Peter who is angsting over the whole thing and Harriet and Bunter being very pragmatic about figuring out a workable solution. I'd love either a V with Peter in the center or a triad where all three are together with all three. Or maybe Peter and Bunter aren't together before Peter and Harriet marry (deeply in love but can't acknowledge it because of both issues with homosexuality and class), and it's Harriet--who has lived among the bohemian set--who gets the ball rolling. Or, as with Peter/Harriet, you could do an AU where they all met earlier ... and then the issue of his two years "dead" on that case become even more interesting.
Peter/Harriet/Mary/Parker: this is a sedoretu quartet for me, so Peter and Mary share a moiety and are NOT fucking. The pairings would be Peter/Harriet, Peter/Charles, Charles/Mary, Mary/Harriet. Please don't infantilize Mary, as Sayers and the fandom often do; she's only 5 years younger than Peter and was 28 in Clouds of Witness, 35 when she and Charles get engaged (during Strong Poison, in which Harriet is about 30). I think Mary should keep her revolutionary politics, even after marrying the staid middle-class policeman that is Charles Parker. I think this would make the dynamics of Strong Poison--and the Peter/Harriet courtship over the next several years--fascinating. It would add so many layers. Charles facing up to the possibility of sharing a household/sedoretu with a woman he investigated for murder! Harriet getting to know Mary, and not everything being about her issues with Peter!
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
I love alien culture worldbuilding, boldly going, exploring, wacky science hijinks, time travel, AU shenanigans. I love the hope that we can become better than we are. I love cross-cultural romance (especially when it deals realistically with having to figure out compromises--love is not all you need, you also need a lot of hard work and communication).
As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into wacky tropes, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want. One of my favorite things about DS9, it dealt with consequences. If you want to take a canon event that you think didn't get enough exploration and run with it, that would be awesome.
Do not feel bound by the trope tags. You can write anything as long as you respect my DNWs. (See note in the General section of the letter.)
I'd love something that dove into Bajoran religion, and the more ALIEN it is the better. We've MET the prophet and they have such a fundamentally different perspective on EVERYTHING than us linear creatures, I don't want it to feel like another screed on What Is Wrong With Christianity In America. You could lean into the Prophets' timey-wimey non-linearity and what that means for a religion that worships them. Most Earth religions are heavily time-based, with regular repeating festivals that serve a lot of purposes both social and religious--how would that work (or not work) when worshiping beings who see everything happening at once? Or explore the Orbs! What other orbs are there besides Time and Prophecy, and what do they DO? You don't have to have any ritual or belief or ANYTHING to use them, if they have line-of-sight to you they can DO THINGS. Give you visions! Send you time traveling! Whatever it is the others do! No Earth religion has any artifact that is anything like that, and besides wondering what the other orbs even are/do, I'm curious as to how they shaped Bajoran religion, and how it was that the Bajorans ended up worshiping the ones who SENT the orbs instead of the orbs themselves. Especially given that the Prophets mostly ... don't seem to want to be gods or care about being worshiped or what's going on on Bajor or anything. So it's not like they were sending messages with the Orbs about who sent them and why, which leaves a lot of scope for interpretation on the part of the Bajorans who found them.
I love Dax's relationship with Sisko, that lasted three hosts. What about when Sisko and Jadzia were still getting to know each other? They went from one power dynamic (Ambassador with lots of political power mentors callow youth) to a very different one (Sisko is all grown up, and Dax's superior officer, and with more life experience than Dax's current host). Negotiating that change must have been interesting, particularly if you throw in marriage to one of the hosts.
I thought that Kira and the O'Briens had a lot of chemistry, but also they have such radically different backgrounds and expectations. Culture, religion, childhood trauma--all radically different. I'd like to see how they could make it work.
I love to hate Dukat. You can use him as a villain, but don't ever forget that he's a manipulative weasel who most often actively chooses to do the worst thing possible. Even if he's doing something good in the moment, the moment is temporary.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
My favorite parts of Star Wars includes the PT, the OT, the Zahn trilogy (especially Mara Jade) and the X-Wing books, bits and pieces from the TV shows, Rey&Finn&Poe as the only contributions from the ST, and an ending where something new and better results after all the pain and trauma. (Or at least something different.) It's not that everything has to be perfect, but I want there to be at least some growth and change. If you are inspired by other corners of the Star Wars universe, feel free to bring them in, but those are my happy places, and I am perfectly fine with completely ignoring the ST or rewriting it to make it either less stupid or less depressing (or both).
I love Lando, and I think he was absolutely right to put the safety of his entire city and everyone living in it ahead of the well-being of a couple of old friends. He is smart, pragmatic, and responsible in the best possible way. Do Leia and Lando work together on political negotiations/shenanigans while Han plays house-husband and swoops in with the Falcon when they need backup? Do Han and Lando go off and make shady business deals and come home to Leia with intelligence she can use politically? Does Lando start up a new operation--maybe mining, maybe something else--or take over an existing one after the war is over, and become a respectable businessman? I was one of the contributors to the "What if Han became Emperor by accident" thread on tumblr a while back, and my contribution was "ooh, Lando would be his Grand Vizier!" and if you want to go that direction that would also be awesome. Also, Weird Jedi Shit is always fun. I didn't include many time travel/dimension travel/soul bond/SF tropes, feel free to use one of them instead of the tropes I picked.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, Kylo Ren
The original Zahn trilogy and the X-Wing books are my favorite parts of the old Legends universe, but I like everything EXCEPT the Courtship of Princess Leia and the New Jedi Order stuff. (Teneniel Djo is awesome! Han kidnapping Leia is really really REALLY not. And I hated pretty much everything about the Vong.) I really like it when Luke is building a new Jedi community and rebuilding old traditions. You can bring in details from the PT and newer canon, if they don't contradict major parts of the Zahn trilogy.
Mara has such a complex past. I think she has trauma from her time with Palpatine that she can't admit even to herself--he was so good at grooming young people, so very manipulative, and even when you know your abuser did evil things to you, it's still hard to internalize. I think she has a unique perspective on the Force, and the Jedi, and galactic politics, that doesn't fit easily or neatly with the others but nevertheless is important to include if they don't want to re-make the mistakes of the past. It's about how do we remember the past while working to create a new future? How do we avoid making old mistakes? How do we heal? How do we build something better?
I love Lando, and I think he was absolutely right to put the safety of his entire city and everyone living in it ahead of the well-being of a couple of old friends. He is smart, pragmatic, and responsible in the best possible way. Do Leia and Lando work together on political negotiations/shenanigans while Han plays house-husband and swoops in with the Falcon when they need backup? Do Han and Lando go off and make shady business deals and come home to Leia with intelligence she can use politically? Does Lando serve as the practical "let's get support and resources for this new Jedi Order you're building" while Luke swans around being compassionate and heroic and saving the day? (But make sure that Lando's contributions are valued and not taken for granted.) I was one of the contributors to the "What if Han became Emperor by accident" thread on tumblr a while back, and my contribution was "ooh, Lando would be his Grand Vizier!" and if you want to go that direction that would also be awesome. Also, Weird Jedi Shit is always fun.
I think Lando and Mara would do very well together; both okay with shady stuff, but both with deep principles they will not compromise. My primary ship is Luke/Mara but I was livid when they retconned Lando/Mara out with "oh, no, they were never really together, it was just an undercover thing!" Even as a very sheltered middle class white teen, I could tell that was racist bullshit, and also smacked of that patriarchal extreme-monagamist trope where "if you love each other, your previous relationships can't have meant anything!" which always hits harder for women than men. No. People can decide a relationship isn't working and end it and start new ones without devaluing and denying the previous relationship. I would love Lando/Mara. I would love Luke/Mara where either she was never with Lando at all even for undercover purposes, or where Lando/Mara used to be together and broke up amicably. I would love Luke/Lando/Mara. I would be livid at "but Lando/Mara was never a real relationship!"
Plot bunnies: Standard Star Wars shenanigans where the fate of the galaxy is at stake and Our Heroes save the day. Is there critical knowledge in a hidden holocron they have to find? Is one of the other Hands (or an Inquisitor, or some other evil Force user) making trouble for Karrde and/or the New Jedi Order and/or the New Republic? Is the Empire threatening Lando's newest business venture (again)? Is there some situation where Lando's skills as a Respectable Businessman And Administrator are crucial to saving the day?
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, twincest, the "Lando and Mara were never really together, it was all a con/undercover thing!" retcon, Kylo Ren
I tend to prefer stories that go AU sometime in season 4, and where they DON'T choose to give up technology on the new Earth. However, there's also interesting things to be done with canon as is. I like Kara fine, but as the show progressed I got annoyed with the narrative focus on her and her Sooper Special Sekrit Destiny at the expense of other characters AND everything about her that wasn't related to that Special Destiny.
Lee/Dee/Kara/Sam is the obvious solution to the whole Lee/Kara drama, and yet it would cause almost as many problems as it would solve. I think Sam and Lee would get along ok, but Dee and Kara are like oil and water, and a poly relationship requires more communication, not less, and Kara sucks at communication. And they're all traumatized, but Kara especially acts out her trauma in really unhelpful ways. So! What would it do to their time on New Caprica? Were they split up as they were in canon? Were Kara and Sam on Pegasus, or Lee and Dee on New Caprica? What happens when Sam finds out he's a Cylon? What about Kara's mystical visions? (I always headcanoned that Kara's musician father that she had visions of was actually that one Cylon that the Ones got rid of completely, which would make her a hybrid like Hera.) Does having more people to help dealing with plot and emotional crises help, or does it just make things more difficult? If Dee doesn't die, does Felix still try for a coup?
If those ideas don't inspire you, here are some ideas I've had floating in the back of my head for two decades, mix and match as you like or feel free to ignore and do your own thing.
Plot bunnies: So, the show occasionally made nods to the supply problems, and I would be interested in something either dealing with the shortages or figuring out creative substitutions. I would be interested in stuff really exploring what it's like to be a Cylon and realizing the depth of how wrong they had been and what evil they had committed. I'd be interested in political wrangling and stuff dealing with religion (although please keep Baltar and Zarek to a minimum, and if you're going for the religion angle please don't go for "religion is bad and all believers are fundamentalists" angle). I'd be interested in day-in-the-life relationship stuff.
What if Kara's father was Daniel, the Cylon model the Ones got rid of when they got rid of the Five? What if the reason Cylons can't have babies is because the Ones douse the water supply with contraceptives? (They hate having biological bodies, betcha they hate the whole idea of children and reproducing that way.) What if Caprica Six hadn't miscarried? What if the jump at the end of the series, instead of going to a prehistoric Earth, took the fleet (and the Rebel Cylons) to the Twelve Colonies a couple of months before the Cylon attack? What if the kid Leoben dug up and claimed was his and Kara's actually WAS his and Kara's?
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, Dee committing suicide
What can I say, I just love Vulcans. Trip and T'Pol were hands down my favorite thing about the show. Also, I love the idea of that Enterprise that got thrown back in time and turned into a generation ship, and I would love to see more of them and what happened when they first got thrown back in time, and also what might have happened if Lorian's Enterprise had survived.
This is the couple that had not one but TWO kids neither knew about show up, Lorian and Elizabeth. What if either had lived? What if there was some OTHER shenanigans and they had a THIRD kid pop up, either through a normal pregnancy or some other SFnal shenanigans?
A note on worldbuilding: so much of the things we're told about Vulcans in Enterprise makes NO SENSE when compared with ... anything in any other Star Trek show ever. For example, how do you outlaw melds and telepathic contact when YOU NEED TELEPATHIC BONDS TO MATE EVERY SEVEN YEARS?!?!?!?!? You can either ignore the contradictions or lean into them and find explanations for them.
As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into the wacky tropes Star Trek was known for, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.
I love alien culture worldbuilding. I love boldly going and exploring and wacky science hijinks and time travel and alternate universe shenanigans. I love the hopeful attitude that we can become better than we are (but it might take a lot of work). I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).
Prompts: what was life like when Enterprise was stuck back in time just waiting for things to come around so they could attack the Xindi weapon, knowing that Lorian was going to be the only one of them still alive when it happened? Pon Farr and its ramifications: if T'Pol has to go through Pon Farr with Trip how does that affect her relationship with them, both working and personal? IWhat about T'Pol's relationships with her family and friends back on Vulcan? What about T'Pol's neurological damage, how does that affect things? Or just a normal episode-like shenanigans!
Please ignore the last episode.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, episode: "These are the Voyages ..."
I love alien culture worldbuilding, boldly going, exploring, wacky science hijinks, time travel, AU shenanigans. I love the hopeful attitude that we can become better than we are. I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).
As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into wacky tropes, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.
Guinan is awesome, but please tone down the Magical Negro stereotype--she's not just The Wise Magic Advisor. She's got her own prejudices and traumas. I would love anything that dove into her past or her culture. Picard and Guinan have INCREDIBLE chemistry. Watch Time's Arrow and see the way he LOOKS AT HER. Something with time travel and meeting in the wrong order a la Time's Arrow would be interesting, but so would them hanging out together and being friends. Or an adventure from before they were together on Enterprise. Or an AU where Picard doesn't get back to the present in Time's Arrow because he stays with her, and then they have adventures trying to find a way to send him forward in time. I don't like most of the Picard TV show, but I do appreciate Picard and Guinan's stuff.
Riker/Ro: the episode where they have amnesia is amazing, I love stories that deal with what happened afterwards. Before that, they have such great conflict, because Riker is trying to manage Ro and not connecting with her, and Ro has Problems With Authority (unless she independently has come to respect the individual, as with Picard). Then they have amnesia and sleep together! And then they try to pretend it never happened.
Geordi was great. Professional in the face of all the wackiness Star Trek could throw at him, very smart, very compassionate. Aside from that one episode with the genetically engineered society, they didn't do much with his blindness besides "disabilities give you superpowers" with his visor. What are the downsides to it? What, if any, tradeoffs did he have to make, and was it his choice or something his parents decided for him? Does he ever get grief from fellow officers about "what happens if your visor gets knocked off, you'll be blind!" as if not being able to see would make him incompetent? He and Data have that wonderful friendship that is rock solid that I love to see explored and transmuted into romance.
Deanna Troi/Worf: This is three different cultures, and 'human' is the place in the middle that they both understand, but I'd be interested in something that explored the 'alien' cultures and didn't assume 'human' as normal. Klingon gender roles are that the women are loud and violent and the men read love poetry. Deanna's more the poetry type than the loud and violent type, and I'm not sure how much of a soft side Worf has. So neither of them quite 'fit' Klingon gender/sexual norms. Feel free to bring in the perspective Martok and the others had on mental illness when they were trapped in that Dominion prison camp, that mental illness is an enemy to fight and it takes a lot of strength to fight an enemy in your own head. From that perspective, Deanna is a weapons trainer for the mind.
Picard & Ro: I love the friendship and mentorship they have despite (or maybe because of) their differences, and the mutual trust they built. I'd be interested in an episode-type story set before she defected to the Maquis, or an AU where she didn't for some reason, or something after the Dominion War when she's no longer a terrorist. Or a role-reversal AU where Bajor is the perfect paradise world that's the founder of the Federation and provides most of the people for Starfleet, and Earth is the one conquered by the Cardassians. I absolutely LOVE Ro Laren, she's such a contrast to the rest of them.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
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I would rather get a story you were happy with than "well, she said she liked x, so I guess I have to do x even though I don't like x and/or am not inspired that way." This letter is long with lots of suggestions and preferences if you find it helpful, but feel free to ignore it if it is not helpful. I'm fairly easy to please; I've been doing ficathons for over a decade and am usually very happy with my gifts.
The most important thing for me in a fic is that the characters are well-written and recognizably themselves. Even when I don't like a character, I don't go in for character-bashing. If nothing else, if the rest of this letter is too much or my kinks don't fit yours, just concentrate on writing a story with everyone in character and good spelling and grammar and I will almost certainly love what you come up with.
I have an embarrassment squick, which makes humor kind of hit-or-miss sometimes. The kind of humor where someone does something embarrassing and the audience is laughing at them makes me uncomfortable. On the other hand, the kind of humor where the audience is laughing with the characters I really enjoy.
- I like stuff that takes side characters and puts them center-stage, especially when the characters and/or actors are marginalized. I enjoy seeing them come to life.
- I don't like it when marginalized characters get relegated to the sidekick/supporting/helper role so that it can be All About The White Dude.
- I like it when female characters are more than just the Strong Female Character(tm) or The Nurturer.
- I like fluff
- I like angst with a happy ending
- I like stories that make me think about things in a new way.
- I like to know that culture matters to people, and to see how different cultures interact and where the clashes are.
- I like unreliable narrators.
- I like acknowledgment that different people can have different points of view without either of them being wrong.
- I like stories that engage with problematic aspects of the source, and which deal with privilege in one way or another instead of sweeping it under the rug.
- Worldbuilding is my jam, I am pretty much always up for explorations of why the world is the way it is. I love hearing about the economics, the politics, the religion, the clothing, the history, the folklore, all of that kind of stuff. And I want to know why it matters--how is all this cultural background stuff affecting the characters, the plot, everything. You don't have to do deep worldbuilding, but I'll enjoy it if you do.
- I don't like it when plots hinge on characters being selectively stupid, or selectively unable to communicate. Like, if they are stupid or a himbo or whatever in general, or have problems communicating in general, that's fine! Or if they canonically have a blind spot in that area, again, it's fine. But if it's just "the only way I can think of for this plot to work is if the character spontaneously and temporarily loses half their intelligence and competence," then I'm going to spend the rest of the fic wondering why the character didn't just ____?
- I like AUs, but not complete setting AUs (i.e. no highschool or college or coffee shop AUs, and especially not mundane AUs--nothing where you keep characters but drop most of the worldbuilding). I like fork-in-the-road type AUs, where one thing is different and the changes all result from that one thing, and you explore what might have been if such-and-such happened.
- I like the concept of sedoretu marriages.
- I like historical AUs, but only when the author actually knows the history period in question and does thoughtful worldbuilding to meld actual culture of the time with the canon.
- Crackfic is really hit and miss for me, sometimes I love it and sometimes I can't stand it. Basically, if it's the characters we know and love in a ludicrous situation, that's great. If they're OOC or parodied in order to make something funny ... it's not funny to me.
Please no incest or darkfic. I define "darkfic" as stuff where there's a lot of suffering and no hope even at the end and all the characters are terrible. Angst with a happy ending is fine, I enjoy it, but there's gotta be a payoff. Even an ambiguous ending is fine! But there has to be some note of grace or redemption or hope somewhere, it can't just be "people are awful and the world sucks, the end." I define incest as siblings and/or parents, cousins don't count.
I love outsider perspectives and academic takes on things. In-universe meta (newspaper articles, academic monographs--especially with the sort of snarky feuding common in actual real-world academia, social media feeds in current day or future worlds) is awesome.
Also, I'm picky about European historical clothing details. You don't have to talk about it at all! In fact, if you don't know much about historical clothing, I would prefer if you didn't mention it at all. My pet peeve is corsets: no, they weren't a restrictive tool of the patriarchy, no, they didn't interfere with most women's daily lives, no, most women weren't wearing them so tight they couldn't breathe.
I like religion but I'm picky about it. Basically, Christianity is deeply weird compared to most other religions, and a lot of people whose only experience with religion is living in a culturally-Christian nation assume that what they know about Christianity is some sort of universal principle of What Religion Is Like, and that's just not the case. For example, in Christianity what you believe is more important than what you do. This is not to say we Christians don't teach and practice Christian ethics or have rituals we are very attached to, but rather that if you don't believe in Jesus Christ, it doesn't matter what rituals you participate in or what ethical things you do, you are not a Christian (although you may be a "cultural Christian"). Every Christian group has at least a minimal core theology that members must affirm, but participation in ritual is far less rigidly a requirement. Most other religions rank what you do (both ethically and ritually) as more important than what you believe, and it is often quite possible to be a member in good standing if you participate in the practices and rituals even if you believe none of the teachings. Anyway, point is, if you are doing worldbuilding for a fantasy or SF or otherwise non-Christian religion ... unless it is explicitly a Christian-analogue, it should be different from Christianity. Question your assumptions and see where that leads you, and I will be fascinated and thrilled.
Marriage Tropes and the Just Married Exchange
There are so many tropes in the tag set, and so many of them are hyper-specific, and I really hate what that does to matching and also to requesting tropes. For example, there's no way to say "yeah, I love me some time travel, anything with time travel will be awesome." Unless you want to completely throw open the gates and request any (not just "any time travel" but "any trope in the tag set"), in which case you can't DNW things you don't want. It's really limiting to both requestor and author! So if you're writing for me, I hereby declare the tropes as more suggestions than as Things You Absolutely Must Include. If you feel inspired by a trope tag I did not request, you're fine as long as I did not DNW it. So, for example, if you want to write Wimsey fic, and you want to write Peter and Harriet getting divorced, that's fine, because I have not DNWed it. But you couldn't write a fic where they're in Starfleet and Harriet is a Betazoid, because I have DNWed setting change AUs.
Peter Wimsey
I love all these characters and desperately crave more Wimseyverse. If you want to do a casefic of some sort, that would be delightful; a casefic centering on Parker or Bunter as the main detective with Peter in a supporting role would be lovely. But I would also be absolutely thrilled with domestic fluff or relationship issues or just the characters sitting down to tea and chatting. (Especially if you can capture Peter's piffling style or the layering of literary references in his and Harriet's speech.)
Harriet/Peter: I love their canon arc, of him falling so deeply in love immediately but her being so deeply hurt by what she's going through--and then by the baggage of being grateful to him and all the baggage of being a professional woman in that era and having to work through that as she falls in love back before she can say yes to him. I would adore anything canon-compliant set anywhere along that trajectory, or things set after they're married--during the war, maybe. However, I would also love AUs! What if they met earlier in some different way? Maybe they were both at one of Marjorie's parties. Maybe he happened to visit Oxford while recovering from the War and met Harriet there. (She was born around 1900, so she would probably have been starting 1918-1919.)
Bunter/Peter/Harriet: There are so many interesting angles you could take this! However, please DON'T go for "Peter/Bunter are established, but Peter offers to dump Bunter for Harriet" or "Peter/Bunter are established, and nothing changes in Peter's courtship of Harriet." Peter and Bunter's relationship is so fraught in canon--they play-act at the normal master-servant relationships, but Bunter's care for Peter goes far beyond that, and Peter jokes about Bunter being his wife in a way that I read as a bit "don't look too closely because in some ways it's true, but we can only acknowledge it through mockery." If you add sex to that, you get something that is even closer to marriage than their canon relationship. Peter can drop his mistresses immediately because the relationship is not based on anything deeper than sex and entertaining companionship. Bunter is in a different category altogether. I would love to see how Peter falling in love with Harriet changes things, if he and Bunter were together already. Regardless of Peter having love-at-first-sight with Harriet, I don't think he'd propose in this case without first at least talking with Bunter, which means no jail proposal. Maybe Peter (or Bunter!) sounds out Eiluned and Sylvia to figure out if it's safe to tell Harriet everything? Maybe there's a lot of angst on Bunter's part about being replaced--or maybe this time Harriet doesn't want to marry him because she doesn't think it's fair that she gets the public acknowledgement as Peter's spouse when really, it should be Bunter? Or maybe it's Peter who is angsting over the whole thing and Harriet and Bunter being very pragmatic about figuring out a workable solution. I'd love either a V with Peter in the center or a triad where all three are together with all three. Or maybe Peter and Bunter aren't together before Peter and Harriet marry (deeply in love but can't acknowledge it because of both issues with homosexuality and class), and it's Harriet--who has lived among the bohemian set--who gets the ball rolling. Or, as with Peter/Harriet, you could do an AU where they all met earlier ... and then the issue of his two years "dead" on that case become even more interesting.
Peter/Harriet/Mary/Parker: this is a sedoretu quartet for me, so Peter and Mary share a moiety and are NOT fucking. The pairings would be Peter/Harriet, Peter/Charles, Charles/Mary, Mary/Harriet. Please don't infantilize Mary, as Sayers and the fandom often do; she's only 5 years younger than Peter and was 28 in Clouds of Witness, 35 when she and Charles get engaged (during Strong Poison, in which Harriet is about 30). I think Mary should keep her revolutionary politics, even after marrying the staid middle-class policeman that is Charles Parker. I think this would make the dynamics of Strong Poison--and the Peter/Harriet courtship over the next several years--fascinating. It would add so many layers. Charles facing up to the possibility of sharing a household/sedoretu with a woman he investigated for murder! Harriet getting to know Mary, and not everything being about her issues with Peter!
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
DS9
I love alien culture worldbuilding, boldly going, exploring, wacky science hijinks, time travel, AU shenanigans. I love the hope that we can become better than we are. I love cross-cultural romance (especially when it deals realistically with having to figure out compromises--love is not all you need, you also need a lot of hard work and communication).
As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into wacky tropes, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want. One of my favorite things about DS9, it dealt with consequences. If you want to take a canon event that you think didn't get enough exploration and run with it, that would be awesome.
Do not feel bound by the trope tags. You can write anything as long as you respect my DNWs. (See note in the General section of the letter.)
I'd love something that dove into Bajoran religion, and the more ALIEN it is the better. We've MET the prophet and they have such a fundamentally different perspective on EVERYTHING than us linear creatures, I don't want it to feel like another screed on What Is Wrong With Christianity In America. You could lean into the Prophets' timey-wimey non-linearity and what that means for a religion that worships them. Most Earth religions are heavily time-based, with regular repeating festivals that serve a lot of purposes both social and religious--how would that work (or not work) when worshiping beings who see everything happening at once? Or explore the Orbs! What other orbs are there besides Time and Prophecy, and what do they DO? You don't have to have any ritual or belief or ANYTHING to use them, if they have line-of-sight to you they can DO THINGS. Give you visions! Send you time traveling! Whatever it is the others do! No Earth religion has any artifact that is anything like that, and besides wondering what the other orbs even are/do, I'm curious as to how they shaped Bajoran religion, and how it was that the Bajorans ended up worshiping the ones who SENT the orbs instead of the orbs themselves. Especially given that the Prophets mostly ... don't seem to want to be gods or care about being worshiped or what's going on on Bajor or anything. So it's not like they were sending messages with the Orbs about who sent them and why, which leaves a lot of scope for interpretation on the part of the Bajorans who found them.
I love Dax's relationship with Sisko, that lasted three hosts. What about when Sisko and Jadzia were still getting to know each other? They went from one power dynamic (Ambassador with lots of political power mentors callow youth) to a very different one (Sisko is all grown up, and Dax's superior officer, and with more life experience than Dax's current host). Negotiating that change must have been interesting, particularly if you throw in marriage to one of the hosts.
I thought that Kira and the O'Briens had a lot of chemistry, but also they have such radically different backgrounds and expectations. Culture, religion, childhood trauma--all radically different. I'd like to see how they could make it work.
I love to hate Dukat. You can use him as a villain, but don't ever forget that he's a manipulative weasel who most often actively chooses to do the worst thing possible. Even if he's doing something good in the moment, the moment is temporary.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
SWOT
My favorite parts of Star Wars includes the PT, the OT, the Zahn trilogy (especially Mara Jade) and the X-Wing books, bits and pieces from the TV shows, Rey&Finn&Poe as the only contributions from the ST, and an ending where something new and better results after all the pain and trauma. (Or at least something different.) It's not that everything has to be perfect, but I want there to be at least some growth and change. If you are inspired by other corners of the Star Wars universe, feel free to bring them in, but those are my happy places, and I am perfectly fine with completely ignoring the ST or rewriting it to make it either less stupid or less depressing (or both).
I love Lando, and I think he was absolutely right to put the safety of his entire city and everyone living in it ahead of the well-being of a couple of old friends. He is smart, pragmatic, and responsible in the best possible way. Do Leia and Lando work together on political negotiations/shenanigans while Han plays house-husband and swoops in with the Falcon when they need backup? Do Han and Lando go off and make shady business deals and come home to Leia with intelligence she can use politically? Does Lando start up a new operation--maybe mining, maybe something else--or take over an existing one after the war is over, and become a respectable businessman? I was one of the contributors to the "What if Han became Emperor by accident" thread on tumblr a while back, and my contribution was "ooh, Lando would be his Grand Vizier!" and if you want to go that direction that would also be awesome. Also, Weird Jedi Shit is always fun. I didn't include many time travel/dimension travel/soul bond/SF tropes, feel free to use one of them instead of the tropes I picked.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, Kylo Ren
SW Legends
The original Zahn trilogy and the X-Wing books are my favorite parts of the old Legends universe, but I like everything EXCEPT the Courtship of Princess Leia and the New Jedi Order stuff. (Teneniel Djo is awesome! Han kidnapping Leia is really really REALLY not. And I hated pretty much everything about the Vong.) I really like it when Luke is building a new Jedi community and rebuilding old traditions. You can bring in details from the PT and newer canon, if they don't contradict major parts of the Zahn trilogy.
Mara has such a complex past. I think she has trauma from her time with Palpatine that she can't admit even to herself--he was so good at grooming young people, so very manipulative, and even when you know your abuser did evil things to you, it's still hard to internalize. I think she has a unique perspective on the Force, and the Jedi, and galactic politics, that doesn't fit easily or neatly with the others but nevertheless is important to include if they don't want to re-make the mistakes of the past. It's about how do we remember the past while working to create a new future? How do we avoid making old mistakes? How do we heal? How do we build something better?
I love Lando, and I think he was absolutely right to put the safety of his entire city and everyone living in it ahead of the well-being of a couple of old friends. He is smart, pragmatic, and responsible in the best possible way. Do Leia and Lando work together on political negotiations/shenanigans while Han plays house-husband and swoops in with the Falcon when they need backup? Do Han and Lando go off and make shady business deals and come home to Leia with intelligence she can use politically? Does Lando serve as the practical "let's get support and resources for this new Jedi Order you're building" while Luke swans around being compassionate and heroic and saving the day? (But make sure that Lando's contributions are valued and not taken for granted.) I was one of the contributors to the "What if Han became Emperor by accident" thread on tumblr a while back, and my contribution was "ooh, Lando would be his Grand Vizier!" and if you want to go that direction that would also be awesome. Also, Weird Jedi Shit is always fun.
I think Lando and Mara would do very well together; both okay with shady stuff, but both with deep principles they will not compromise. My primary ship is Luke/Mara but I was livid when they retconned Lando/Mara out with "oh, no, they were never really together, it was just an undercover thing!" Even as a very sheltered middle class white teen, I could tell that was racist bullshit, and also smacked of that patriarchal extreme-monagamist trope where "if you love each other, your previous relationships can't have meant anything!" which always hits harder for women than men. No. People can decide a relationship isn't working and end it and start new ones without devaluing and denying the previous relationship. I would love Lando/Mara. I would love Luke/Mara where either she was never with Lando at all even for undercover purposes, or where Lando/Mara used to be together and broke up amicably. I would love Luke/Lando/Mara. I would be livid at "but Lando/Mara was never a real relationship!"
Plot bunnies: Standard Star Wars shenanigans where the fate of the galaxy is at stake and Our Heroes save the day. Is there critical knowledge in a hidden holocron they have to find? Is one of the other Hands (or an Inquisitor, or some other evil Force user) making trouble for Karrde and/or the New Jedi Order and/or the New Republic? Is the Empire threatening Lando's newest business venture (again)? Is there some situation where Lando's skills as a Respectable Businessman And Administrator are crucial to saving the day?
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, twincest, the "Lando and Mara were never really together, it was all a con/undercover thing!" retcon, Kylo Ren
BSG
I tend to prefer stories that go AU sometime in season 4, and where they DON'T choose to give up technology on the new Earth. However, there's also interesting things to be done with canon as is. I like Kara fine, but as the show progressed I got annoyed with the narrative focus on her and her Sooper Special Sekrit Destiny at the expense of other characters AND everything about her that wasn't related to that Special Destiny.
Lee/Dee/Kara/Sam is the obvious solution to the whole Lee/Kara drama, and yet it would cause almost as many problems as it would solve. I think Sam and Lee would get along ok, but Dee and Kara are like oil and water, and a poly relationship requires more communication, not less, and Kara sucks at communication. And they're all traumatized, but Kara especially acts out her trauma in really unhelpful ways. So! What would it do to their time on New Caprica? Were they split up as they were in canon? Were Kara and Sam on Pegasus, or Lee and Dee on New Caprica? What happens when Sam finds out he's a Cylon? What about Kara's mystical visions? (I always headcanoned that Kara's musician father that she had visions of was actually that one Cylon that the Ones got rid of completely, which would make her a hybrid like Hera.) Does having more people to help dealing with plot and emotional crises help, or does it just make things more difficult? If Dee doesn't die, does Felix still try for a coup?
If those ideas don't inspire you, here are some ideas I've had floating in the back of my head for two decades, mix and match as you like or feel free to ignore and do your own thing.
Plot bunnies: So, the show occasionally made nods to the supply problems, and I would be interested in something either dealing with the shortages or figuring out creative substitutions. I would be interested in stuff really exploring what it's like to be a Cylon and realizing the depth of how wrong they had been and what evil they had committed. I'd be interested in political wrangling and stuff dealing with religion (although please keep Baltar and Zarek to a minimum, and if you're going for the religion angle please don't go for "religion is bad and all believers are fundamentalists" angle). I'd be interested in day-in-the-life relationship stuff.
What if Kara's father was Daniel, the Cylon model the Ones got rid of when they got rid of the Five? What if the reason Cylons can't have babies is because the Ones douse the water supply with contraceptives? (They hate having biological bodies, betcha they hate the whole idea of children and reproducing that way.) What if Caprica Six hadn't miscarried? What if the jump at the end of the series, instead of going to a prehistoric Earth, took the fleet (and the Rebel Cylons) to the Twelve Colonies a couple of months before the Cylon attack? What if the kid Leoben dug up and claimed was his and Kara's actually WAS his and Kara's?
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, Dee committing suicide
Enterprise
What can I say, I just love Vulcans. Trip and T'Pol were hands down my favorite thing about the show. Also, I love the idea of that Enterprise that got thrown back in time and turned into a generation ship, and I would love to see more of them and what happened when they first got thrown back in time, and also what might have happened if Lorian's Enterprise had survived.
This is the couple that had not one but TWO kids neither knew about show up, Lorian and Elizabeth. What if either had lived? What if there was some OTHER shenanigans and they had a THIRD kid pop up, either through a normal pregnancy or some other SFnal shenanigans?
A note on worldbuilding: so much of the things we're told about Vulcans in Enterprise makes NO SENSE when compared with ... anything in any other Star Trek show ever. For example, how do you outlaw melds and telepathic contact when YOU NEED TELEPATHIC BONDS TO MATE EVERY SEVEN YEARS?!?!?!?!? You can either ignore the contradictions or lean into them and find explanations for them.
As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into the wacky tropes Star Trek was known for, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.
I love alien culture worldbuilding. I love boldly going and exploring and wacky science hijinks and time travel and alternate universe shenanigans. I love the hopeful attitude that we can become better than we are (but it might take a lot of work). I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).
Prompts: what was life like when Enterprise was stuck back in time just waiting for things to come around so they could attack the Xindi weapon, knowing that Lorian was going to be the only one of them still alive when it happened? Pon Farr and its ramifications: if T'Pol has to go through Pon Farr with Trip how does that affect her relationship with them, both working and personal? IWhat about T'Pol's relationships with her family and friends back on Vulcan? What about T'Pol's neurological damage, how does that affect things? Or just a normal episode-like shenanigans!
Please ignore the last episode.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic, episode: "These are the Voyages ..."
TNG
I love alien culture worldbuilding, boldly going, exploring, wacky science hijinks, time travel, AU shenanigans. I love the hopeful attitude that we can become better than we are. I love cross-cultural romance (especially when it deals realistically with having to figure out what compromises each is going to make on what they expect out of a relationship--love is not all you need, you also need a lot of hard work and communication).
As for plot ... it's Star Trek. If you want to play it serious, go for it. If you want to lean into wacky tropes, that's great too. As long as everyone is in character, feel free to go as cracktastic as you want with the time travel and travel to alternate universes and weird missions.
Guinan is awesome, but please tone down the Magical Negro stereotype--she's not just The Wise Magic Advisor. She's got her own prejudices and traumas. I would love anything that dove into her past or her culture. Picard and Guinan have INCREDIBLE chemistry. Watch Time's Arrow and see the way he LOOKS AT HER. Something with time travel and meeting in the wrong order a la Time's Arrow would be interesting, but so would them hanging out together and being friends. Or an adventure from before they were together on Enterprise. Or an AU where Picard doesn't get back to the present in Time's Arrow because he stays with her, and then they have adventures trying to find a way to send him forward in time. I don't like most of the Picard TV show, but I do appreciate Picard and Guinan's stuff.
Riker/Ro: the episode where they have amnesia is amazing, I love stories that deal with what happened afterwards. Before that, they have such great conflict, because Riker is trying to manage Ro and not connecting with her, and Ro has Problems With Authority (unless she independently has come to respect the individual, as with Picard). Then they have amnesia and sleep together! And then they try to pretend it never happened.
Geordi was great. Professional in the face of all the wackiness Star Trek could throw at him, very smart, very compassionate. Aside from that one episode with the genetically engineered society, they didn't do much with his blindness besides "disabilities give you superpowers" with his visor. What are the downsides to it? What, if any, tradeoffs did he have to make, and was it his choice or something his parents decided for him? Does he ever get grief from fellow officers about "what happens if your visor gets knocked off, you'll be blind!" as if not being able to see would make him incompetent? He and Data have that wonderful friendship that is rock solid that I love to see explored and transmuted into romance.
Deanna Troi/Worf: This is three different cultures, and 'human' is the place in the middle that they both understand, but I'd be interested in something that explored the 'alien' cultures and didn't assume 'human' as normal. Klingon gender roles are that the women are loud and violent and the men read love poetry. Deanna's more the poetry type than the loud and violent type, and I'm not sure how much of a soft side Worf has. So neither of them quite 'fit' Klingon gender/sexual norms. Feel free to bring in the perspective Martok and the others had on mental illness when they were trapped in that Dominion prison camp, that mental illness is an enemy to fight and it takes a lot of strength to fight an enemy in your own head. From that perspective, Deanna is a weapons trainer for the mind.
Picard & Ro: I love the friendship and mentorship they have despite (or maybe because of) their differences, and the mutual trust they built. I'd be interested in an episode-type story set before she defected to the Maquis, or an AU where she didn't for some reason, or something after the Dominion War when she's no longer a terrorist. Or a role-reversal AU where Bajor is the perfect paradise world that's the founder of the Federation and provides most of the people for Starfleet, and Earth is the one conquered by the Cardassians. I absolutely LOVE Ro Laren, she's such a contrast to the rest of them.
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Treats welcome
DNW: bashing, incest, explicit sex, rape/noncon, major embarrassment/humiliation, setting change AUs, human/no powers AUs, darkfic
Works revealed!
Jun. 16th, 2025 08:03 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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archiveofourown.org/collections/diegeticexchange/fandoms
Creator reveals happen in a week. Thank you again to our pinch hitters for helping us open up on schedule!
Creator reveals happen in a week. Thank you again to our pinch hitters for helping us open up on schedule!
6/16/2025 Tilden Nature Area
Jun. 16th, 2025 03:56 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I walked Lower Packrat again while U and Chris climbed to Upper Packrat. The lower trail has challenges but many uneven steps isn't one of them. Still Swainson's Thrushes singing and calling everywhere. They have a gorgeous song and a lot of startlingly strange calls. Highlight for all of us was that the hummingbird nest we've been watching for so long we feared it had failed had two chicks, and we watched the mother feed them. What a relief! ( The list: )
No California Quail today.:(
Two groups of summer day camp kids came through Lower Packrat while I was there. It's good to see kids outside but wow, were they noisy.
No California Quail today.:(
Two groups of summer day camp kids came through Lower Packrat while I was there. It's good to see kids outside but wow, were they noisy.
"Even though I Knew the End" by C.L. Polk
Jun. 16th, 2025 05:47 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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On Monday's outbound commute I finished the audiobook for Even Though I Knew the End. This is a supernatural/fantasy noir romance and it does pack a lot of all three of those things into its brief 4-hour runtime.
This book relies heavily on stock film noir tropes—the veteran down-and-out private (paranormal) investigator (here a lesbian, Helen, our protagonist) who drinks too much and is haunted by past mistakes, a mysterious and sexy female client with a unique case, and "just one last" job before the PI plans to quit and retire with a beloved romantic partner. I didn't find them overused—and seeing them reworked to queer and female characters was fun—but other readers may find them too worn out even here.
Because the book is so short, it moves along at a very rapid pace. The whole thing takes place over the course of two days—the final two days before Helen's soul debt is called due and she finally has to pay the price of her warlock bargain. In this way, any rush felt appropriate, since it fit both the size of the novel and the context of Helen's urgency to get this last job done before she has to pay up.
The characters weren't super developed, but again—4-hour runtime. They're a little stock character-y, but not total cardboard cut-outs. It was disappointing for me to see Helen make the same mistake at the end of the book that she did prior to the start, as if she hadn't really learned anything, but since the novel ends promptly after that, the story never has to reckon much with it.
Edith, Helen's girlfriend, was probably the most developed of the characters despite how little page time she got, and I was relieved she wasn't just the damsel in distress/goal object for Helen, which I was a bit worried about in the beginning. Edith has secrets and goals of her own.
Overall, the book was fine, and it entertained me well enough for a few days. Nothing extraordinary here, but nothing objectionable either. I will say I think keeping it short worked best for this book—I think drawing it out might have only weakened it. A fun little twist on a typical noir novel.
Recent Reading: Even though I Knew the End
Jun. 16th, 2025 05:46 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
On Monday's outbound commute I finished the audiobook for Even Though I Knew the End. This is a supernatural/fantasy noir romance and it does pack a lot of all three of those things into its brief 4-hour runtime.
This book relies heavily on stock film noir tropes—the veteran down-and-out private (paranormal) investigator (here a lesbian, Helen, our protagonist) who drinks too much and is haunted by past mistakes, a mysterious and sexy female client with a unique case, and "just one last" job before the PI plans to quit and retire with a beloved romantic partner. I didn't find them overused—and seeing them reworked to queer and female characters was fun—but other readers may find them too worn out even here.
Because the book is so short, it moves along at a very rapid pace. The whole thing takes place over the course of two days—the final two days before Helen's soul debt is called due and she finally has to pay the price of her warlock bargain. In this way, any rush felt appropriate, since it fit both the size of the novel and the context of Helen's urgency to get this last job done before she has to pay up.
The characters weren't super developed, but again—4-hour runtime. They're a little stock character-y, but not total cardboard cut-outs. It was disappointing for me to see Helen make the same mistake at the end of the book that she did prior to the start, as if she hadn't really learned anything, but since the novel ends promptly after that, the story never has to reckon much with it.
Edith, Helen's girlfriend, was probably the most developed of the characters despite how little page time she got, and I was relieved she wasn't just the damsel in distress/goal object for Helen, which I was a bit worried about in the beginning. Edith has secrets and goals of her own.
Overall, the book was fine, and it entertained me well enough for a few days. Nothing extraordinary here, but nothing objectionable either. I will say I think keeping it short worked best for this book—I think drawing it out might have only weakened it. A fun little twist on a typical noir novel.
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"The Traitor Baru Cormorant" by Seth Dickinson
Jun. 16th, 2025 05:36 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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On Saturday afternoon, on the bus ride home, I finished The Traitor Baru Cormorant, because I couldn't wait until I got home to reach the end, despite a long history of reading-induced car sickness. It was totally worth it.
The Traitor Baru Cormorant is all fantasy politics. There's no magic or fairies or prophecies, just Seth Dickinson's invented world and the titanic machinations of Empire. And it is electric. Tentatively, I'd make a comparison to The Goblin Emperor, except that where TGE is about how Maia, completely unprepared for his role, is thrust into a viper's nest of politics, Baru Cormorant is about how Baru has painstakingly taught herself the ways of the empire and enters into the game fully prepared to rewrite the rules to her liking.
( Read more... )
I was hanging on every page by the end, and first thing Sunday morning I was off to the library to pick up the sequel, which I started the same day. I cannot wait to see how Baru's story progresses! Hats off for Baru Cormorant!
Crossposted from my main.
( Read more... )
I was hanging on every page by the end, and first thing Sunday morning I was off to the library to pick up the sequel, which I started the same day. I cannot wait to see how Baru's story progresses! Hats off for Baru Cormorant!
Crossposted from my main.
Recent Reading: The Traitor Baru Cormorant
Jun. 16th, 2025 05:32 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
On Saturday afternoon, on the bus ride home, I finished The Traitor Baru Cormorant, because I couldn't wait until I got home to reach the end, despite a long history of reading-induced car sickness. It was totally worth it.
The Traitor Baru Cormorant is all fantasy politics. There's no magic or fairies or prophecies, just Seth Dickinson's invented world and the titanic machinations of Empire. And it is electric. Tentatively, I'd make a comparison to The Goblin Emperor, except that where TGE is about how Maia, completely unprepared for his role, is thrust into a viper's nest of politics, Baru Cormorant is about how Baru has painstakingly taught herself the ways of the empire and enters into the game fully prepared to rewrite the rules to her liking.
Dickinson creates a wonderfully believable world. The Empire of Masks—popularly known as the Masquerade—is sickeningly plausible, with their soft conquests of money and ideas backed by a highly-trained and well-equipped military. The Masquerade is not content to conquer land—it must conquer minds, people. It is relentless in its push to force its colonies and territories to adopt its ways of thinking, to the point of dictating who may and may not marry based on their bloodlines. With this comes a heaping dose of homophobia, frequently enforced on cultures who had formerly been relaxed or even accepting of queer identities and relationships. This presents a specific problem for Baru, who is the daughter of a mother and two fathers, and who is herself a deeply closeted lesbian.
The story makes use of incredibly mundane tools in its schemes, something that also rings realistic. It's not all backstabbing, murder, and blackmail—at one point, a serious political threat is nullified through currency inflation. Baru, who becomes an imperial accountant, is in a prime position to use these seemingly dull tools to marvelous effect. Many schemes are strangled in the cradle, such that only the plotter and the defeater are even aware that they existed. But the game goes on.
In that same vein, Dickinson pays ample attention to the practical realities of economics, war, and rebellion, in a way that grounds the story in realism without letting it drag. The pace felt even throughout, picking up at the climax without ever feeling rushed. At the same time, despite the frequently detailed and excruciating groundwork various characters are laying for their plans, the novel never felt slow. Dickinson's prose is descriptive without being overwrought or tiresome. He keeps the reader on the hook figuring out Baru's plans or realizations without making it so obscure that a dedicated or observant reader couldn't figure things out along with her. I never felt like Dickinson was keeping things vague because he lacked answers or plans himself.
Given the above two things, potential readers should know this book runs almost entirely on machinations. If you are not significantly interested in plotty plotters plotting things, you may find this book duller than I did.
Baru herself is the epitome of ruthlessness. Her goals are noble—her desire to free her home, to end the tyranny of the Masquerade—but she will do anything to achieve those goals. She is a truly fascinating character, calculating, controlled, brilliant—and constantly tormented by the need to weigh her choices and the potential futures ahead. I loved watching her schemes build, play out, and adapt along with the developing situations. She is a fantastical chess player—but not without flaws and blind spots. Her character asks the reader a fascinating question about just how long the ends can justify the means, and what an individual is willing to sacrifice for their notion of the greater good.
There were moments in the book when I felt Baru's motivations were a little foggy, a little hasty, but I was willing to forgive that because the rest of the book was so enjoyable. It wasn't until the very end when I realized I had missed something, and all the pieces fell into place, and her motivations were perfectly clear and logical.
Equally interesting are the ways the characters around Baru plot and respond to her. There was one moment near the end when I gasped out loud at a twist, and then realized later I'd made the same error as some other characters in assuming its causes. The thing with Dickinson's twists is that they all make sense in retrospect. There were some "I can't believe that just happened!" moments, but nothing that felt like it came out of the left field or that was not supported by the narrative up to that point. Dickinson also does a good job of making sure the characters around his core plotter still feel like real players in the game. He never falls prey to Baru being the only one with schemes and long games ongoing—the board pieces are constantly shifting as others make their own bids for power and Baru must adjust her plans accordingly.
And this book has things to say. Baru Cormorant is an unrelenting condemnation of imperialism, economic and militant, and it never shies away from the extent of personal and cultural damage done to the victims of the Masquerade. Everyone trying to survive in the Masquerade's world is having to compromise themselves somehow, to some extent, and no one survives contact with the empire unscathed, even those who eventually turn its power to their own ends. The economic control; the eugenics programs; the targeting of youth to indoctrinate them with the Masquerade's values; the wars of conquest; the coercion, manipulation, and bribery that keep the people adhering to the Masquerade's will—all of it is brought to light and examined and called for what it is: control, control, control, no matter how pretty a face is put on it.
It is not, as you may have gathered, a happy book, but that's just fine with me.
I was hanging on every page by the end, and first thing Sunday morning I was off to the library to pick up the sequel, which I started the same day. I cannot wait to see how Baru's story progresses! Hats off for Baru Cormorant!
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multifandom questionnaire pt 3
Jun. 16th, 2025 05:10 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This is part 3 of
maevedarcy's 72 Multifandom questions to ask a fangirl.
Experiences and Memories
1. What’s the most memorable experience you’ve had related to your fandom(s)?
I feel like everything in Smallville fandom has kinda blurred together. Maybe not a specific fandom, but in recent years, the excitement of running (well, co running) my first exchange was such a good feeling, as was the unexpected enthusiasm over Comment Bingo, when I finally got it up and running.
2. Have you ever traveled to a location specifically because it was featured or related to your fandom(s)?
No. When I went to Vancouver though, I was excited when I realized I could recognize the top of the building that they used as Oliver's penthouse/Queen Tower in Smallville. I still remember a LJ friend made a list of places that they film at, and I left it on my laptop and forgot that I wasn't planning on taking it, so I couldn't use it. IDK how much my family would be all for my Smallville related tour of Vancouver but I could've tried to see a couple of spots. Oh well.
3. Can you share about a time when fandom helped you through a difficult period?
I don't know if there's a specific time, but fandom has always felt like an escape. I'm pretty closed off/keep things to myself, for better or for worse, and sometimes, I think I have been able to express myself online in a way that is a little harder to do in person. And people have always been kind and supportive and I have appreciated that a lot. I've left fandom multiple times but it's always easy to find a home here when I return.
4. What’s the longest you’ve ever waited in line for an event or release related to fandom?
Probably a couple of hours. Both when I stood in line at Barnes N Nobles for the 7th Harry Potter book (had to go twice - one to get the ticket with the Letter Group I was in earlier in the day and the second time when they were actually opening the doors) or when I went to the midnight showing of The Dark Knight and had to be there at like, 9PM. Even then, we were further back than I planned so we could've gotten there sooner but the seats we ended up with weren't so bad, iirc.
5. Have you had the chance to meet any of the actors, musicians, authors, or creators from your fandom(s)?
No, the closest I got was when I saw Shah Rukh Khan filming on my college campus and seeing Chris Evans in LA pre-Captain America. I was getting ice cream with a few friends and a premiere for Push had just let out. Dakota Fanning left fairly quickly, but I do remember he was hanging around. We recognized him but I didn't have a smart phone or anything for him to sign, so I didn't bother.
6. What’s the most treasured piece of merchandise you have that’s related to fandom?
Bollywood may not be a fandom I was ever in much, but I was obsessed with Shah Rukh Khan as a teen and I was in London a few days after his Madame Tussaud's statue was revealed, so when we went, they had a SRK doll. I bought it and brought it back with me. I still have it. Also my sister once got me a Superman keychain from Six Flags and I still keep it on my lanyard. It's held up well! :D
7. Do you remember the first item you ever collected or received related to fandom?
Not really. I had a lot of Shah Rukh Khan posters as a teen. I would assume it was something Superman related though since I've been a fan for so long.
8. What’s the most exciting fan event or panel you’ve attended?
I've never attended any fan events/panels.
9. Have you participated in any challenges, collaborations, or competitions within fandom?
Yes, I've been apart of land comms, bingo events (though I'm terrible about completing them!), fests, and exchanges. They're a lot of fun and have helped me get out of my comfort zone.
10. How did you feel the first time you saw your favorite character, band, or actor in person?
I remember OneRepublic was part of this summer fest years ago and I was really excited to watch them live. I don't know how much I actually enjoy live music events/concerts, but that was a blast.
11. Have any of your family or friends become fans because of your influence? What was that like?
My sister has actually ended up getting me into shows for the most part, because I barely watch anything and she gives a lot of things a shot (she was even watching Smallville before me). My dad watched Elementary because of me, since I wanted to, and he really liked it too, so we'd watch together.
12. What’s the most emotional moment you’ve had as a fan within your community?
I remember when one of my LJ friends passed away. We weren't close, but we did work together on a fandom newsletter and I was just shocked. I'm sure many other people can relate unfortunately, but the way it all happened and escalated so quickly was a lot. I think that was the first time someone I knew online had passed away. Just so sad.
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Experiences and Memories
1. What’s the most memorable experience you’ve had related to your fandom(s)?
I feel like everything in Smallville fandom has kinda blurred together. Maybe not a specific fandom, but in recent years, the excitement of running (well, co running) my first exchange was such a good feeling, as was the unexpected enthusiasm over Comment Bingo, when I finally got it up and running.
#2-12
2. Have you ever traveled to a location specifically because it was featured or related to your fandom(s)?
No. When I went to Vancouver though, I was excited when I realized I could recognize the top of the building that they used as Oliver's penthouse/Queen Tower in Smallville. I still remember a LJ friend made a list of places that they film at, and I left it on my laptop and forgot that I wasn't planning on taking it, so I couldn't use it. IDK how much my family would be all for my Smallville related tour of Vancouver but I could've tried to see a couple of spots. Oh well.
3. Can you share about a time when fandom helped you through a difficult period?
I don't know if there's a specific time, but fandom has always felt like an escape. I'm pretty closed off/keep things to myself, for better or for worse, and sometimes, I think I have been able to express myself online in a way that is a little harder to do in person. And people have always been kind and supportive and I have appreciated that a lot. I've left fandom multiple times but it's always easy to find a home here when I return.
4. What’s the longest you’ve ever waited in line for an event or release related to fandom?
Probably a couple of hours. Both when I stood in line at Barnes N Nobles for the 7th Harry Potter book (had to go twice - one to get the ticket with the Letter Group I was in earlier in the day and the second time when they were actually opening the doors) or when I went to the midnight showing of The Dark Knight and had to be there at like, 9PM. Even then, we were further back than I planned so we could've gotten there sooner but the seats we ended up with weren't so bad, iirc.
5. Have you had the chance to meet any of the actors, musicians, authors, or creators from your fandom(s)?
No, the closest I got was when I saw Shah Rukh Khan filming on my college campus and seeing Chris Evans in LA pre-Captain America. I was getting ice cream with a few friends and a premiere for Push had just let out. Dakota Fanning left fairly quickly, but I do remember he was hanging around. We recognized him but I didn't have a smart phone or anything for him to sign, so I didn't bother.
6. What’s the most treasured piece of merchandise you have that’s related to fandom?
Bollywood may not be a fandom I was ever in much, but I was obsessed with Shah Rukh Khan as a teen and I was in London a few days after his Madame Tussaud's statue was revealed, so when we went, they had a SRK doll. I bought it and brought it back with me. I still have it. Also my sister once got me a Superman keychain from Six Flags and I still keep it on my lanyard. It's held up well! :D
7. Do you remember the first item you ever collected or received related to fandom?
Not really. I had a lot of Shah Rukh Khan posters as a teen. I would assume it was something Superman related though since I've been a fan for so long.
8. What’s the most exciting fan event or panel you’ve attended?
I've never attended any fan events/panels.
9. Have you participated in any challenges, collaborations, or competitions within fandom?
Yes, I've been apart of land comms, bingo events (though I'm terrible about completing them!), fests, and exchanges. They're a lot of fun and have helped me get out of my comfort zone.
10. How did you feel the first time you saw your favorite character, band, or actor in person?
I remember OneRepublic was part of this summer fest years ago and I was really excited to watch them live. I don't know how much I actually enjoy live music events/concerts, but that was a blast.
11. Have any of your family or friends become fans because of your influence? What was that like?
My sister has actually ended up getting me into shows for the most part, because I barely watch anything and she gives a lot of things a shot (she was even watching Smallville before me). My dad watched Elementary because of me, since I wanted to, and he really liked it too, so we'd watch together.
12. What’s the most emotional moment you’ve had as a fan within your community?
I remember when one of my LJ friends passed away. We weren't close, but we did work together on a fandom newsletter and I was just shocked. I'm sure many other people can relate unfortunately, but the way it all happened and escalated so quickly was a lot. I think that was the first time someone I knew online had passed away. Just so sad.
mother of the groom's best friend doesn't want to take off work and travel to wedding
Jun. 17th, 2025 01:31 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Dear Eric: My best friend of more than 35 years is waffling over attending my son's wedding. Her excuses for not coming are an as-yet-unplanned hiking trip in Europe (it would be her fourth in less than two years), and work, which she can easily get out of. This is my only child that will ever get married, and the wedding is in her former hometown where she still has family and friends. It's one easy flight. This friend stays with us three to four times a year for several weeks when she has work in town. My husband and I were allowed to invite four couples. Even my siblings aren't invited!
I'm incredibly hurt that she's even considering not coming. To me this has already caused a shift in my feelings toward her. I haven't spoken to her about it yet but intend to. Are my feelings unreasonable?
– Mother of the Groom Gloom
( Read more... )
I'm incredibly hurt that she's even considering not coming. To me this has already caused a shift in my feelings toward her. I haven't spoken to her about it yet but intend to. Are my feelings unreasonable?
– Mother of the Groom Gloom
( Read more... )
Conservation
Jun. 16th, 2025 05:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This 5-star island paradise doubles as a sea turtle rescue
In Malaysia, five islands form Tunku Abdul Rahman Marine Park, a glittery turquoise oasis filled with coral reefs, parrotfish, seahorses, and green sea turtles.
Gaya, the largest of the five islands, is also home to the Gaya Island Resort: a luxury 5-star retreat nestled in an ancient rainforest that boasts stunning sea views, swim-up pools, and a spa village hidden amongst the mangroves.
But when guests have free time — between relaxing on massage tables and eating teppanyaki, shabu-shabu, and nabe — the resort challenges visitors to partake in local marine conservation efforts.
Ecotourism is a good way to get people involved, and maybe they'll want to stay involved.
In Malaysia, five islands form Tunku Abdul Rahman Marine Park, a glittery turquoise oasis filled with coral reefs, parrotfish, seahorses, and green sea turtles.
Gaya, the largest of the five islands, is also home to the Gaya Island Resort: a luxury 5-star retreat nestled in an ancient rainforest that boasts stunning sea views, swim-up pools, and a spa village hidden amongst the mangroves.
But when guests have free time — between relaxing on massage tables and eating teppanyaki, shabu-shabu, and nabe — the resort challenges visitors to partake in local marine conservation efforts.
Ecotourism is a good way to get people involved, and maybe they'll want to stay involved.
Remigration vs. Refoulement
Jun. 16th, 2025 05:14 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I've seen a lot of vocabulary abuse recently.
Remigration is the voluntary return to country of origin. If it's not voluntary, it's not remigration. This term covers things like freed slaves moving from America to Africa, or Syrian refugees going back to Syria now that some of them deem it safe. We need this term for such purposes, which right now means defending it from people who use it wrongly.
Refoulement is the forcible movement of refugees from the place they fled to back to the dangerous place they fled from. This is what the American government has done many times, such as sending boats full of Jewish refugees back to Nazi-infested Europe during World War II or the current transfer of refugees back to their country of origin. Call it what it is and cite the historic comparisons, where we've got evidence of people dying because of it.
( Read more... )
Remigration is the voluntary return to country of origin. If it's not voluntary, it's not remigration. This term covers things like freed slaves moving from America to Africa, or Syrian refugees going back to Syria now that some of them deem it safe. We need this term for such purposes, which right now means defending it from people who use it wrongly.
Refoulement is the forcible movement of refugees from the place they fled to back to the dangerous place they fled from. This is what the American government has done many times, such as sending boats full of Jewish refugees back to Nazi-infested Europe during World War II or the current transfer of refugees back to their country of origin. Call it what it is and cite the historic comparisons, where we've got evidence of people dying because of it.
( Read more... )
not gay gay characters
Jun. 16th, 2025 06:08 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
did not mean to time this for pride, but. lol!
Recently read Jane Austen’s Emma, Patrick O’Brian’s Master and Commander, and Diana Wynne Jones’s Eight Days of Luke, and, as I was trying to get a handle on what I wanted to say about them, realized that in all three one of my major pleasures was reading the protagonists as queer. Made me laugh.
However, noticing this made me want to clarify to myself what that pleasure was… It feels easier to begin with what I don’t mean. I don’t mean that these are queer books, although they might be; I don’t mean that these characters are queer (they’re fictional); I don’t mean that the authors were thinking about queer people, although they might’ve been, I don’t know their lives; I don’t mean the authors were secretly queer (see previous).
( Conversation in in the Commons, or, IDK Man, I’m Gay )
( Emma, Jane Austen )
( Master & Commander, Patrick O'Brian )
( Eight Days of Luke, Diana Wynne Jones )
Really hoping to get out a few more of these this week, but lol. lol. lmao even
Recently read Jane Austen’s Emma, Patrick O’Brian’s Master and Commander, and Diana Wynne Jones’s Eight Days of Luke, and, as I was trying to get a handle on what I wanted to say about them, realized that in all three one of my major pleasures was reading the protagonists as queer. Made me laugh.
However, noticing this made me want to clarify to myself what that pleasure was… It feels easier to begin with what I don’t mean. I don’t mean that these are queer books, although they might be; I don’t mean that these characters are queer (they’re fictional); I don’t mean that the authors were thinking about queer people, although they might’ve been, I don’t know their lives; I don’t mean the authors were secretly queer (see previous).
( Conversation in in the Commons, or, IDK Man, I’m Gay )
( Emma, Jane Austen )
( Master & Commander, Patrick O'Brian )
( Eight Days of Luke, Diana Wynne Jones )
Really hoping to get out a few more of these this week, but lol. lol. lmao even
第四年第一百五十八天
Jun. 16th, 2025 05:55 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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部首
刀 part 5
刚, just now; 创, to create; 利, favorable ( pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=18
语法
Chapter 28 quiz: Time expressions
https://routledgetextbooks.com/textbooks/9781138651142/quizzes.php
词汇
跳, jump; 跳高, high jump; 跳舞, dance; 跳远, broad jump ( pinyin )
https://mandarinbean.com/new-hsk-3-word-list/
Guardian:
刚刚收到一件匿名邮件, I just got an anonymous mail
特调处跟以前不一样了, the SID isn’t what it used to be
大姐,千辛万苦救你不是为让你跳楼玩, lady, I didn’t go to great lengths to save you just so you could go jumping off buildings
Me:
你的创意很好。
我是跳舞的,不是爬山的!
刀 part 5
刚, just now; 创, to create; 利, favorable ( pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=18
语法
Chapter 28 quiz: Time expressions
https://routledgetextbooks.com/textbooks/9781138651142/quizzes.php
词汇
跳, jump; 跳高, high jump; 跳舞, dance; 跳远, broad jump ( pinyin )
https://mandarinbean.com/new-hsk-3-word-list/
Guardian:
刚刚收到一件匿名邮件, I just got an anonymous mail
特调处跟以前不一样了, the SID isn’t what it used to be
大姐,千辛万苦救你不是为让你跳楼玩, lady, I didn’t go to great lengths to save you just so you could go jumping off buildings
Me:
你的创意很好。
我是跳舞的,不是爬山的!
Tactics talk!
Jun. 16th, 2025 05:35 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Standard disclaimer: I am not involved in any of this. Discussions of protest tactics are purely speculative; this is not legal advice, and if you commit an actual crime, don't post about it.
Courtesy of a friend who may identify themselves if they choose (thank you!) I read this article in Mother Jones about the No Sleep For ICE movement and can't help constrasting it with the #NoKings protest. Not that I'd want to disparage the latter—I think it's awesome that people did it!—but the former is an example of the kinds of tactics that we increasingly need to see.
I have a number of issues with protest marches, especially in North America. We on the left tend towards reification of historical protest movements without ever analyzing what made them effective (or not). A good example locally is the Days of Action, a series of rolling one-day strikes against the extremist right-wing government of Mike Harris in 1996. These were a resounding failure. Mike Harris and his regime steamrolled over the labour movement in Ontario, which never recovered, and despite being directly responsible for a number of deaths, continues to enrich himself by running gulags for seniors. However, these protests were loud, colourful, and most importantly, made people feel like they were Doing Something. Again—it's important to make people feel like they are Doing Something, that is how movements get built. But when a new far-right regime was elected in Ontario, the entire strategy of the labour movement pivoted to re-enact a protest movement that had been an abject failure, and so we lost again, repeatedly and even harder.
I had the same issue with Occupy, where what had been a successful tactic in Egypt and New York was exported around the world, without regard to local conditions. It resulted in one baffling morning spent wandering the Toronto encampment, where a lone speaker used the People's Mic to communicate with five comrades. The aesthetics of protest triumphed over the old-fashioned idea that protest ought to accomplish something.
Now we are seeing LARPing of the kind of mass demos that have been happening since the 1960s, most of them failures, as the authorities are quite competent in curtailing this kind of activism, either by assassinating political opponents, kettling demonstrators, or conducting mass surveillance to be used in future disappearances. The great success of #NoKings is the theoretical embarrassment for Trump of seeing his own sad, empty birthday parade dwarfed by crowds in nearly every American city and town. To be clear—this is a success, as Trump cares a great deal about crowd numbers. But this is a regime immune to reality and shame, and entirely capable of generating AI slop to convince the death cult members that what they saw with their own eyes wasn't true.
Which is to say: It's good, it's useful, but now the tactics need to change.
To contrast, No Sleep is very targeted in its strategy and goals. Let's be clear: Every employee of ICE is a human trafficker. They should not be allowed to return to their homes and communities after a day's work, because that day's work is Nazi shit. Targeting them where they live and sleep is critical. It reminds us that these are not normal people who are doing a job, but instruments of a police state who are conducting activities that are unreservedly evil and socially unacceptable. It is a reminder both to them and anyone who cooperates with the Trump regime that, in fact, "just following orders" is famously not a defence at the Hague. Most importantly, though, it introduces friction between the regime's aims and its outcomes, rendering it less effective in kidnapping and disappearing people.
I think we are all thinking: "I am exhausted. I can't fight everything all at once. Where are my energies best spent?" At least, I'm thinking that. This is deliberate; this is flooding the zone, making the laundry list of bad things come so fast and furious that opponents don't have time to recover from one fight before we're thrown into another. It's very tempting to get enmeshed in weekend street demos—for one thing, for those of us who work, they can be done on the weekend—but I would encourage everyone to participate in them with an eye to what they're useful for and what they're not useful for. Remember that surveillance will be gathered on you no matter how careful you are. If you or your comrades get arrested, movement resources will need to be directed towards your defence (and you will be dragged through hell because even if you did nothing wrong, the point of charges is to destroy your employment, finances, and relationships). Stay on the lookout for smaller, more agile actions that can add friction, rather than big showy events. Don't get caught up in violence vs. nonviolence discourse, or crowd numbers.
The answer to "where are my energies best spent" is always, "whatever you can do," which for me tends to be above-ground, legal actions on the weekends. This has different significance locally because our supposedly socialist mayor who used to go to protests passed a protest ban, so imo all protest energies in Toronto ought to at least focus a little on breaking this ban so that we can all get our Charter rights back. But this may not be the conditions where you are.
Also stop using the Hey Ho chant. It reminds me of Snow White and the Seven Dwarves but instead of marching over a log, they're walking headfirst into a police baton.
Courtesy of a friend who may identify themselves if they choose (thank you!) I read this article in Mother Jones about the No Sleep For ICE movement and can't help constrasting it with the #NoKings protest. Not that I'd want to disparage the latter—I think it's awesome that people did it!—but the former is an example of the kinds of tactics that we increasingly need to see.
I have a number of issues with protest marches, especially in North America. We on the left tend towards reification of historical protest movements without ever analyzing what made them effective (or not). A good example locally is the Days of Action, a series of rolling one-day strikes against the extremist right-wing government of Mike Harris in 1996. These were a resounding failure. Mike Harris and his regime steamrolled over the labour movement in Ontario, which never recovered, and despite being directly responsible for a number of deaths, continues to enrich himself by running gulags for seniors. However, these protests were loud, colourful, and most importantly, made people feel like they were Doing Something. Again—it's important to make people feel like they are Doing Something, that is how movements get built. But when a new far-right regime was elected in Ontario, the entire strategy of the labour movement pivoted to re-enact a protest movement that had been an abject failure, and so we lost again, repeatedly and even harder.
I had the same issue with Occupy, where what had been a successful tactic in Egypt and New York was exported around the world, without regard to local conditions. It resulted in one baffling morning spent wandering the Toronto encampment, where a lone speaker used the People's Mic to communicate with five comrades. The aesthetics of protest triumphed over the old-fashioned idea that protest ought to accomplish something.
Now we are seeing LARPing of the kind of mass demos that have been happening since the 1960s, most of them failures, as the authorities are quite competent in curtailing this kind of activism, either by assassinating political opponents, kettling demonstrators, or conducting mass surveillance to be used in future disappearances. The great success of #NoKings is the theoretical embarrassment for Trump of seeing his own sad, empty birthday parade dwarfed by crowds in nearly every American city and town. To be clear—this is a success, as Trump cares a great deal about crowd numbers. But this is a regime immune to reality and shame, and entirely capable of generating AI slop to convince the death cult members that what they saw with their own eyes wasn't true.
Which is to say: It's good, it's useful, but now the tactics need to change.
To contrast, No Sleep is very targeted in its strategy and goals. Let's be clear: Every employee of ICE is a human trafficker. They should not be allowed to return to their homes and communities after a day's work, because that day's work is Nazi shit. Targeting them where they live and sleep is critical. It reminds us that these are not normal people who are doing a job, but instruments of a police state who are conducting activities that are unreservedly evil and socially unacceptable. It is a reminder both to them and anyone who cooperates with the Trump regime that, in fact, "just following orders" is famously not a defence at the Hague. Most importantly, though, it introduces friction between the regime's aims and its outcomes, rendering it less effective in kidnapping and disappearing people.
I think we are all thinking: "I am exhausted. I can't fight everything all at once. Where are my energies best spent?" At least, I'm thinking that. This is deliberate; this is flooding the zone, making the laundry list of bad things come so fast and furious that opponents don't have time to recover from one fight before we're thrown into another. It's very tempting to get enmeshed in weekend street demos—for one thing, for those of us who work, they can be done on the weekend—but I would encourage everyone to participate in them with an eye to what they're useful for and what they're not useful for. Remember that surveillance will be gathered on you no matter how careful you are. If you or your comrades get arrested, movement resources will need to be directed towards your defence (and you will be dragged through hell because even if you did nothing wrong, the point of charges is to destroy your employment, finances, and relationships). Stay on the lookout for smaller, more agile actions that can add friction, rather than big showy events. Don't get caught up in violence vs. nonviolence discourse, or crowd numbers.
The answer to "where are my energies best spent" is always, "whatever you can do," which for me tends to be above-ground, legal actions on the weekends. This has different significance locally because our supposedly socialist mayor who used to go to protests passed a protest ban, so imo all protest energies in Toronto ought to at least focus a little on breaking this ban so that we can all get our Charter rights back. But this may not be the conditions where you are.
Also stop using the Hey Ho chant. It reminds me of Snow White and the Seven Dwarves but instead of marching over a log, they're walking headfirst into a police baton.